There
is no doubt that we live in turbulent times. As of this writing, the
state of Louisiana is drowning under catastrophic flooding while southern
California is on fire. The world is reeling from one savage act of violence
after another on an almost weekly basis. As if all this were not enough, the
American people are embroiled in a bitter Presidential election cycle that is
dramatically polarizing our society. It is easy to despair in such times. One
looks somewhere…anywhere…for the
slightest glimmer of hope and good news. Here within the local confines of
Atlanta, at least within the Arts and the Music community in particular, there
are some encouraging signs. Three pieces of musical news have recently buoyed
my spirits.
First,
there is the great turnaround in the fortunes of the Atlanta Symphony Orchestra; certainly a crown jewel of the musical
arts community here in Atlanta. It was only two years ago that the symphony had
locked out its musicians for nine weeks, delayed the start of the concert
season (canceling many performances) and sought to reduce the number of
full-time orchestra members to 76. Management insisted that due to a dire
financial situation, these actions were absolutely necessary if the orchestra
was to survive. Those on the other side (including the musicians, community
members, the national press and even this blog)
argued that the cuts were too Draconian and that if implemented, there would be
no orchestra left – at least not at the same caliber it had been. The acrimony
on both sides was so intense that the ASO’s president resigned and the future
of this great orchestra looked bleak.
What
a difference two years make! A few weeks ago, as detailed in a recent article
in ArtsATL.com, the ASO announced
that it had closed its 2015-16 fiscal year with a budget surplus for the second
straight year! In more good news, the ASO Musicians’ Endowment Fund had
raised over $20 million on its way to an expected $25 million goal this year. The
grim outlook for an important cultural institution in the city, as well as the
nation, suddenly has a much brighter forecast.
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| The Atlanta Symphony Orchestra - back on track! |
From
a wonderful and hopeful turnaround at the city’s artistic heart, I am thrilled
with some good news coming out of my place of employment, Georgia State University. I have been a faculty member at this
institution for well over 20 years. In all that time, the dream of truly elevating
the Arts seemed nothing but wishful thinking. However, several years ago, as
part of the university’s Strategic Plan, the creation of a new College of the Arts was mandated. July
1, 2016 marked the official beginning of this newly created College. (For more
details, check out the press release.)
For a long-time faculty member such as myself, this hardly seems real. Georgia
State University has recently catapulted itself into one of the largest
universities in the country with an enrollment just over 50,000 students. Its
reputation for innovation within an urban environment is rising throughout
academic circles nationally. It is clearly a rejuvenated institution on a
mission. That the Arts would now be elevated within this context is extremely
significant.
Atlanta
has already become a very hot destination for film and TV productions with such
big budget movies as Captain America:
Civil War and Spiderman: Homecoming
as well as highly rated TV series such as The
Walking Dead filming in town and helping to make the city another great
center for the entertainment industry. With the turnaround of the ASO at the highest
professional artistic level and the creation of the new College of the Arts
within the state’s largest university located in the very heart of the city –
just two train stops from the Woodruff Arts Center – Atlanta seems poised to
also become the next great artistic
center in the country.
While
the changing fortunes of the ASO and GSU are a bit outside my personal pay
grade and influence, there is a personal endeavor with which I am associated
that I consider another very hopeful sign for the cultural life of the city.
Over the summer, I spent three very long and productive meetings setting up the
strategic plan for the nascent SoundNOW Contemporary Music Festival. As a co-founder of the festival, it was a
desire of mine to spotlight the great work being done in contemporary classical
music by the many professional chamber ensembles in the city of Atlanta devoted
to the music of our time. It is a simple idea. Set performances by the various
groups in town to occur within a one-week period of time to draw attention to
not only the great local performing artists in Atlanta but also to the city’s
diverse and excellent community of composers. You can read about the first
festival in a recent ArtsATL.com article.
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| The SoundNOW Artistic Board at a recent strategic planning meeting! (Pictured L-R: yours truly, Caleb Herron, Brent Milam, Olivia Kieffer & Amy O'Dell |
It is
a wonderful sign that the inaugural festival was very successful given its
initial scope and mission. However, as laudable and interesting as this event
was, the real trick is to replicate,
sustain and grow this initiative. With the amount of strategic planning I and
the other members of the artistic board have put in over the summer, coupled
with the fact we have already set the dates and booked initial groups for our
second festival (April 2-9, 2017), I am very optimistic that this annual event
has the potential to elevate contemporary classical music in Atlanta in much
the same way that the ASO and GSU are elevating the Arts in general within the
city.
From
the highest echelons of the Woodruff Arts Center all the way down to our
personal initiatives, hopeful signs abound in Atlanta. But, so what? What does
all this matter? What difference can these small, albeit hopeful, signs within
one American city possibly make amid a world tortured by violence, political
rancor and natural disasters on an almost biblical scale? I firmly believe that
the Arts are one of the great civilizing forces in human society. However, the
Arts are very difficult to nourish and maintain. It is always easier to destroy
than it is to create. It is always easier to hate than to love, forgive and
listen past our own prejudices to truly understand where our neighbor is coming
from. The hard work of creative expression is an important exercise we must pursue
in order to better our society and, yes, even our natural environment. A
civilization truly sensitive to creative expression does not easily slip into practices
that harm our world. That is why the Arts are so critically essential to
humanity. That’s why they should be celebrated, cultivated and taught to our
children. Budget surpluses in an orchestra, re-organizations within a
university and the development of grassroots artistic endeavors in and of
themselves are not really important. Taken by themselves, they are, at best,
anomalies within a dreary environment. However, when considering them together,
a pattern emerges. These types of hopeful signs describe what deeply motivates
a community. To persevere and create great Art as well as make it possible to
reach higher creative heights despite
all the bad news crashing in around us tells the story of at least one city’s
optimism and desire for a better and more peaceful society.
Good
news and hopeful signs in our little corner of the world may yet translate to
better news for a very troubled world in the long run. We all have the power to
make it so.
Do
we have the desire?
